“New Stuff” (P.S.122, May) offered an intriguing mix of younger choreographers—this batch coincidentally all female.
In Paradise?, as a moderately convincing Charlie’s Angel, Kari Hoaas (the program’s curator) invoked snippets of saucy gestures—pouty lips, tousled hair, an Elvis pelvis—in an incisively subversive flirtation. —Susan Yung