“The most dance-centric selections come from Norwegian choreographer Kari Hoaas….Shot in a single take in visually striking locations–a former airport in Oslo, converted into now-empty office spaces; a parking lot with a puddle that now acts as a reflecting pool–the (dance) films are each titled with a single word and evince a haiku-like economy.”– The New York Times (25 January 2021)
Read the full Dance Critic´s Notebook by Brian Seibert here.